A basement location is not exactly conducive to drawing a crowd but in a tranquil position at the bottom of the Boundary Hotel, chef Richard McLellan is quietly cooking up some culinary wonders that make it well worth the trip downstairs.
A Champagne Rhubarb Gimlet is a welcome start and the accompanying bar snacks should not be overlooked. Large shards of seeded crackers come served in a rustic paper bag with a pleasing pease pudding emulsion for dipping. Other enjoyable morsels include Pyefleet oysters which impart a surprising smoky flavour from a coal cream and smoked apple vinegar, and Tamworth pork belly, straight from the barbecue and topped generously with shavings of celeriac and medlar.
The rest of the menu reads much like a witch’s spell – full of unfamiliar ingredients but all of which we’re informed are native to the UK. It’s these flourishes of the unknown that make the dishes so memorable. Soft ribbons of squid and hispi cabbage are accompanied by a vibrant green chervil sauce and the raw beef tartare is a masterpiece in meticulous presentation and perfectly balanced flavours.
For the main event we opted for game. Pheasant comes nestled under a blanket of buttery kalibos cabbage with a punchy sauce. Fallow deer is equally moreish, served perfectly pink, tender and emitting the promised aroma of pine.
The wine list is just as diverse, with a range of old-world labels to choose from, all deriving from sustainable and biodynamic growers. Oenophiles and novices alike will benefit from the sommelier’s approachable and down-to-earth guidance.
From the desserts, the signature baked apple offers the comforting familiarity of a traditional crumble but presented with McLellan’s consistent finesse, while the rhubarb, white chocolate and buttermilk creation is a more playful blend of textures and flavours.
The restaurant’s interiors have been thoughtfully designed to create an earthy feel that’s in keeping with the menu, while the high ceilings and widely spaced tables are an unexpected highlight for an underground venue.
Exposed brickwork, rendered walls, ashwood tables and stoneware ceramics are consistent with east London style but also lend to the ’wild’ aesthetic. Most striking are the rambling vegetal installations suspended from the ceiling, which add an ethereal touch to an otherwise inconspicuous setting. As we burrowed our way back up to street level, we left feeling confident that in spite of its unfavourable location, Sir Terence Conran is onto a winner with Wilder.